pheasant laying on a table top with its deep red plumage cast in black waterThe Vanitas series revisits the still life tradition through an underwater photographic process, extending a lineage that emerged most prominently in seventeenth century Dutch painting. Working entirely in water, these compositions draw on historical motifs associated with mortality, transience, and the passage of time. Floral specimens, organic matter, and carefully selected objects are staged within a submerged environment where light, reflection,

these works form part of an ongoing investigation into the mechanics of water

digital or traditional

Provenance:
- exhibition ´Goya renacido en agua´ 2025

and temporal flow

0110’  dated 2017

0179’  dated 2017

The Ocean Bubbles series draws from underwater studies in which air

which operates simultaneously as symbol and method

This lighting work explores the interaction between material

If we can have a tactile experience

slowing perception and transforming still life into a temporal event rather than a static arrangement

Dated 1990