Xasthur - Subject To ChangeOn the ninth full length with the tell tale title of "Subject to Change", Xasthur took a musical leap of faith: Mastermind, multi instrumentalist, and singer Scott Conner abandoned black metal as a form of musical expression for the time being, and turned to something stylistically rather comparable to acid folk and neofolk instead. Keeping the minimalistic approach of his previous albums, but embarking on a long journey through the dark underbelly of

she attended several masterclasses by Gabor Tarkövi

resulting in the best sounding record of Hannam's career

The recent Kozeluch revival

and a preeminent addition to the Strand of Oaks discography

is a matter of course with this ensemble

which is about an angel appearing in an apartment block in Buenos Aires to cleanse the souls of it's inhabitants

Margaret Lancaster

"Strauss's "Burleske" for Piano and Orchestra sounds completely different

The inner and outer struggle to find his way in the 80s' music business

frontman Tommy Giles Rogers also listed wanting to keep the group's name "out there" and seeking new material to perform at concerts in an interview with MetalSucks

Matteo Venturini has chosen three excerpts from the third part of his Istituzioni Teorico-Pratiche per Organo from the 1870s

a distinguished guest conducted extracts from Rameau's Les Boréades: Sir Simon Rattle